Walking into a jewellery store is a different experience when you know the language.
Terms like "pavé", "bezel set", "polki", "fluorescence", and "millesimal fineness" separate a confident buyer from someone who has to take the jeweller's word for everything.
This glossary covers 50+ essential jewellery terms used in Indian retail — from metalworking techniques to gemstone grading to certification jargon.
Gold and Metal Terms
| Term | What It Means |
|---|---|
| Karat (K) | Measure of gold purity. 24K = 99.9% pure gold. 22K = 91.6%. 18K = 75%. Not to be confused with "Carat" (gemstone weight). |
| Millesimal Fineness | Parts-per-thousand purity expression. 916 = 22K, 750 = 18K, 585 = 14K. This is what's stamped as the BIS hallmark number. |
| Alloy | A mixture of two or more metals. Gold jewellery is always an alloy — pure 24K gold is too soft for most jewellery use. |
| Assay | The testing and certification of metal purity. An Assaying and Hallmarking Centre (AHC) performs assays for BIS hallmarking. |
| Hallmark / HUID | The BIS certification stamp on gold jewellery. HUID (Hallmark Unique Identification Number) is the 6-character alphanumeric code unique to each hallmarked piece. |
| Making Charges | The cost of craftsmanship charged per gram or as a percentage. This covers the jeweller's labour, overhead, and profit. Not recoverable on resale. |
| Wastage Charge | A charge for gold "wasted" during the manufacturing process. Often applied as a percentage on top of making charges. Should be itemised separately on your bill. |
| Rhodium Plating | A bright white precious metal coating applied over white gold to give it a mirror finish. Wears off over 1–3 years with daily wear. Re-plating costs ₹500–₹1,500. |
| Rose Gold | Gold alloyed with copper, giving a warm pink hue. Common purities: 18K (750) and 14K (585). The more copper in the alloy, the deeper the pink. |
| Vermeil | Sterling silver (925) base coated with a thick layer of gold (minimum 2.5 microns). Not solid gold — significantly cheaper but not as durable. |
| Gold Filled | A thick layer of gold mechanically bonded to a base metal (usually brass). More durable than gold-plated, but not solid gold. Not permitted to be called "gold" in most regulated markets. |
| Gold Plated | A very thin gold coating (typically 0.5 microns or less) over base metal. Wears off quickly with regular use. Fine for costume jewellery, not appropriate for fine jewellery. |
| Platinum 950 | Platinum alloy that is 95% pure platinum. The standard for platinum jewellery in India. Denser and more durable than white gold; no plating required. |
| Sterling Silver (925) | 92.5% silver alloy. The international standard for silver jewellery. Harder than fine silver, making it workable for complex designs. |
Gemstone Terms
| Term | What It Means |
|---|---|
| Carat (ct) | Unit of weight for gemstones. 1 carat = 0.2 grams. Not to be confused with Karat (gold purity). A 1ct round diamond is approximately 6.5mm in diameter. |
| 4Cs | The GIA's diamond grading system: Cut, Colour, Clarity, and Carat weight. The universally accepted framework for evaluating diamond quality. |
| Cut Grade | How well a diamond's facets interact with light. GIA grades round diamonds: Excellent, Very Good, Good, Fair, Poor. Cut is the most important C for brilliance. |
| Colour Grade (D–Z) | GIA's scale from D (colourless) to Z (light yellow). G–H is the practical sweet spot for most buyers — faces up white in a ring but costs significantly less than D–F. |
| Clarity Grade | Presence of internal (inclusions) and external (blemishes) characteristics. Scale: FL, IF, VVS1, VVS2, VS1, VS2, SI1, SI2, I1, I2, I3. VS2 and eye-clean SI1 offer best value. |
| Inclusion | An internal characteristic of a gemstone — a crystal, feather, cloud, or other natural formation within the stone. Most inclusions are microscopic and invisible to the naked eye. |
| Eye-Clean | An informal term for a stone with no inclusions visible to the unaided eye at arm's length in normal lighting. An eye-clean SI1 diamond offers clarity value without paying VVS premiums. |
| Fluorescence | A diamond's tendency to glow blue (usually) under ultraviolet light. Graded None, Faint, Medium, Strong, Very Strong. Strong fluorescence can make some diamonds appear hazy in sunlight — inspect carefully before buying. |
| Brilliance | The white light reflected from a diamond's interior and surface. A function of cut quality. "Brilliant cut" refers to any facet arrangement optimised for light return. |
| Fire | The dispersion of light into spectral colours (the rainbow flashes). Different from brilliance. Moissanite has more fire than diamond — which some find attractive, others find excessive. |
| Scintillation | The sparkle effect — the pattern of light and dark areas seen as the stone moves. A well-cut diamond shows even scintillation across its face. |
| Polki | Uncut, unpolished natural diamonds set in gold using the Kundan technique. The raw, irregular facets produce a distinctive diffused sparkle rather than brilliant white light. Traditional Mughal-era Indian jewellery. |
| Navratna | A setting of nine gemstones — ruby, diamond, emerald, yellow sapphire, pearl, red coral, blue sapphire, cat's eye, and hessonite (or similar). Associated with astrological significance in Indian tradition. |
| Certified Diamond | A diamond accompanied by a grading report from an independent laboratory (GIA, IGI, HRD). The certificate details the 4Cs and other characteristics. Never buy a significant diamond without one. |
| Lab-Grown Diamond | A real diamond grown in a laboratory using CVD or HPHT methods. Chemically identical to mined diamonds. Costs 75–85% less but has very low resale value. |
| Simulant | A stone that looks like a diamond but is not one — e.g., cubic zirconia (CZ) or moissanite. Simulants are a different material from diamonds and have different physical properties. |
| Moissanite | Silicon carbide (SiC) gemstone. Near-diamond hardness (9.25 Mohs vs 10 for diamond). Has more "fire" (spectral colour) than diamond. A legitimate and durable diamond alternative. |
| Precious Stones | Traditional classification for diamond, ruby, sapphire, and emerald. "Semi-precious" refers to all other gemstones — tourmaline, amethyst, citrine, etc. The precious/semi-precious distinction has no formal modern gemological basis. |
Setting and Craftsmanship Terms
| Term | What It Means |
|---|---|
| Prong Setting | Metal claws (prongs) hold a gemstone. 4-prong and 6-prong are standard. Allows maximum light entry — ideal for solitaires. Prongs can catch on fabric and should be checked annually. |
| Bezel Setting | A band of metal wraps completely around the stone's perimeter. Maximum stone protection. Slightly reduces light entry. Excellent for active lifestyles or contemporary aesthetic. |
| Pavé Setting | Many small stones set closely together, held by tiny beads of metal. Creates a "paved with diamonds" surface. Adds sparkle to bands without increasing centre stone cost. |
| Channel Setting | Stones set between two parallel rails of metal, flush with the surface. Very secure — no prongs to catch. Common for wedding bands and eternity rings. |
| Flush / Burnish Setting | Stone set flush into the metal surface, completely level. Very modern, clean aesthetic. Extremely secure for active wear. |
| Kundan Setting | Ancient Indian technique: pure gold foil (24K) is pressed and burnished around each stone, holding it without prongs or adhesive. Defines traditional Rajasthani and Mughal jewellery. |
| Jadau Setting | A variant of Kundan where the gold is also worked into intricate patterns around stones. Associated with Rajasthan, Gujarat, and Hyderabad. |
| Meenakari | Coloured enamel work fused to gold at high temperature. Applied to the reverse of Kundan pieces or independently. Characteristic of Rajasthani jewellery. Cannot be cleaned with heat or ultrasound. |
| Filigree | Delicate open metalwork made from very fine twisted wire. Odisha's silver filigree (Cuttack) and Karimnagar's gold filigree are GI-tagged regional crafts. |
| Repoussé | A metalworking technique where sheet metal is shaped into relief patterns by hammering from the reverse side. Creates three-dimensional designs in gold and silver. |
| Casting | Molten metal poured into a mould to create a specific shape. Most modern machine-made jewellery is cast. More uniform and faster than hand-fabrication, but less artisan character. |
| Hand-Fabricated | Jewellery made by working metal sheet and wire by hand, without casting. Labour-intensive, higher making charges, but produces unique character and fine detail not achievable by casting. |
| Hallmarked vs Certified | Hallmarking (BIS) certifies the metal's purity. Certification (GIA/IGI) certifies gemstone quality. A piece with a BIS hallmark but no diamond certificate has only half the documentation it needs. |
Jewellery Styles and Forms: Indian Terms
| Term | Description | Regional Association |
|---|---|---|
| Maang Tikka | Ornament hanging from the centre hair parting onto the forehead | Pan-India |
| Jhumka | Bell-shaped earring with small dangling bells or drops | Pan-India |
| Chandbali | Moon-crescent shaped earrings, typically heavily worked | North and East India |
| Nath | Nose ring; ranges from small studs to elaborate rings worn with chains connecting to the hair | Varies by region |
| Mangalsutra | Black bead and gold thread necklace worn as a symbol of marriage | Pan-India; design varies |
| Haaram | Long necklace, often worn layered with a shorter piece | South India especially |
| Bajuband / Vanki | Armlet worn on the upper arm | North (Bajuband), South (Vanki) |
| Kamarband / Oddiyanam | Waist ornament / waist belt in gold | North / South India |
| Payal | Anklet; traditionally silver (associated with marriage and auspiciousness) | Pan-India |
| Bichiya | Toe ring; traditionally silver; worn by married women | North and Central India |
| Passa / Jhoomar | Side head ornament; hangs over one side of the forehead from the hair | Rajasthan, Uttar Pradesh, Punjab |
| Kada | A broad, rigid bangle | Pan-India (especially Punjabi tradition) |
| Thewa | Jewellery made by fusing 23K gold sheets onto coloured glass; Pratapgarh, Rajasthan specialty | Rajasthan |
| Temple Jewellery | Gold jewellery depicting deities and mythological scenes; originally made for temple deities, adopted for South Indian bridal tradition | Tamil Nadu, Kerala, Andhra |
International Fine Jewellery Terms You May Encounter
| Term | What It Means |
|---|---|
| High Jewellery (Haute Joaillerie) | One-of-a-kind, masterwork pieces made from the finest gems by top maisons (Cartier, Van Cleef, Bulgari). The "haute couture" of jewellery. |
| Parure | A matching set of jewellery — necklace, earrings, bracelet, and brooch in one coordinated design. |
| Solitaire | A ring with a single centre stone, held by prongs. The most classic engagement ring form. |
| Eternity Ring | A band set with gemstones (typically diamonds) around its entire circumference. Symbolises enduring love; a common anniversary gift. |
| Tennis Bracelet | A flexible bracelet set with a continuous line of matching diamonds. Named after tennis player Chris Evert who lost hers during a match. |
| Trilogy Ring | Three-stone ring symbolising past, present, and future. Also called a "three-stone ring". |
| Halo Setting | A ring of smaller gemstones surrounding a centre stone, making it appear larger and adding overall sparkle. |
| Girdle | The narrow band around a gemstone's widest perimeter — separating the crown (top) from the pavilion (bottom). GIA certificates laser-inscribe certification numbers on the girdle. |
| Table | The large flat facet on the top of a gemstone. The table percentage (table width / total diameter) affects a diamond's light performance. |
| Depth | The height of a gemstone from table to culet (bottom point). Depth percentage affects how light exits through the bottom versus reflecting back up. |
Understanding these terms transforms you from a passive buyer into an informed participant in the conversation.
When your jeweller mentions "VS2 clarity with Very Good cut," you know what they mean — and you know whether it represents good value.
When you see "Kundan jadau with meenakari reverse," you understand you're looking at a traditional piece with specific care requirements.
Knowledge is the best protection against overpaying, and the best foundation for buying jewellery you'll treasure for a lifetime.
Browse our guides section for deeper dives into specific topics, or use JewellersinCity to find verified jewellers in your city who can show you these techniques and styles in person.
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